Our goal and our passion has been to work hard, entertain our fans - and bring excellent theatre to the regions.
We now provide workshops with relevant performances, and are looking to reinstate the values of old school repertory theatre. We consist of an integral team of highly-talented artists, working together to develop classical and contemporary works utilising far-reaching techniques.
We are also working towards bespoke performances for children with learning difficulties, in conjunction with our mainstream shows.
Theatrical Niche are a Kent-based theatre company, but often use professionals from the Capital, and further corners of the UK.
Currently, we are expanding our tours across the regions...
WHO WE ARE
COMPANY DIRECTOR - Venetia Twigg
Venetia is an Actress and Playwright. Having graduated from Edinburgh University with an MA (Hons) in Philosophy and Psychology, Venetia went on to study at Richmond Drama School in London. As well as working for several years in theatre and film, Venetia wrote dark moral comedy, Decency/Discretion - performed t in the Phoenix Artist Club in London's West End in July 2011, and Theatrical Niche Ltd was formed.
Theatre credits include Annie (A Doll's House), Rosie (The Abominable Snowman), Lady Windermere/Cecil (Lady Windermere's Fan), Mrs. Samsa (Metamorphosis), Jack Frost (Laila), Othello (Emilia), State of Fear (Hannah), Lysistrata (Lysistrata), Still the Beating of My Heart (Mrs. Witham), Blood Wedding (Maid / Neighbour), Last of the Red Hot Lovers (Elaine Navazio), Proof (Claire), Debris (Michelle), Two (Landlady etc), Love's Labour's Lost (Princess of France), Abigail's Party (Beverly), The Crucible (Elizabeth), Rosencrantz and Guildenstern Are Dead (The Player).
Film/TV Credits include Boujee Life Lessons (Rival), Kelly Convey's Dating Disasters (Posh Fencing Instructor), Crownton Dobby (Anna) - Web & TV Series, The Rise of the Krays (Laura) - Feature Film, Brothers With No Game (Charlotte) - London Live TV, The House of Silence (Jane, Lead) - Feature Film, Marriage (Heidi) - Feature Film, Darren H Christ (Jenny) - Comedy Short, Lovely Monster (Mean Girl) - Short, FlashPrank (Bride-to-be) - MTV .
Venetia has adapted several classics for Theatrical Niche, and feels extremely privileged to work across theatres in the UK & Ireland.
She is a member of Equity and Spotlight.
DIRECTOR - Nadia Papachronopoulou
Nadia was the Emerging Director at National Theatre Wales and Trained at the Orange Tree Theatre. She is currently working with the National Theatre as one of the NT Connections directors.
As a Director, credits include: Boots by Jessica Butcher & Sacha Voit (Bunker), After The Ball (Gatehouse), The Philanthropist: Understudy Run (West End); Mapping Brent (Tricycle); Non Essential Personnel (Orange Tree), Unrivalled Landscape (Orange Tree); Whisper Tree (Pembroke Festival); Recipe for a Perfect Wife (Charing Cross/King’s Head); Nothing but Mammals (Old Red Lion);
As Assistant Director, credits include: Tim Sheader on A Tale of Two Cities (Regents Park Theatre), Simon Callow on The Philanthropist (West End), Justin Audibert on My Mother Medea (Unicorn); Rachel Bagshaw on The Shape of Pain (Pulse Festival/Southbank Centre); Rachel Bagshaw on Icons (National Theatre Studio); Jo Davies on Silly Kings (National Theatre Wales); Seven Year Twitch, Julius Caesar, The Man Who Pays the Piper, Sauce for the Goose, Love’s Comedy, Yours for the Asking (Orange Tree).
Photo (Above Left) by Mitzi de Margary.
ASSOCIATE ARTIST - Sheri Sadd
Sheri trained at East15 Acting School and with The National Youth Theatre Company. Directing; Collaborator, 'A dream from a Bombshell', Silent Shout Theatre Company, (The Brockley Scratch and Pulse Fringe Festival), Assistant Director 'Lysistrata' and ‘The Good Person of Szchewan’ Theatrical Niche Theatre Company (regional tour), Choreographer, 'The Education of a Lapdancer' Traffic of the Stage Theatre Company (National tour), Movement Director, ‘Dr Faustus’, ‘Lady Windermere’s Fan’ & 'Tartuffe' Theatrical Niche Theatre Company (all National Tours).
Acting - Stage; 'Tin & Ensemble' in 'A dream from a bombshell', Silent Shout Theatre Company (Pulse Fringe festival), 'Nurse Grey' in 'Pythagoras Smith', director Rafe Beckley (Pentametres Theatre, London), 'Xerfa' in 'Lucifer Ex Machina' director Ed Nash (Greenwich Theatre, London), 'Ylenia' in 'The Education of a Lapdancer' director Harry Meacher (National Tour), 'Prospero & Ensemble’ in 'Tempest in a Teacup' director Alice Sillett (Bush Theatre, The Blue Elephant London & The Place Bedford), 'Judith' in 'The Jewish Wife' StoneCrabs Theatre Company, Headways Festival (Albany Theatre, London). Sheri has also enjoyed ensemble roles with the Royal Shakespeare Company in ‘King Lear’ (Barbican Arts Centre, 2016) and ‘Coriolanus’ and Julius Caesar’ (Barbican Arts Centre, 2017-2018)
TV and other; 'Heather Dooley' in Critical for Hat Trick Productions directed by Jon East. Sheri worked alongside Tracey Ullman in the 'Tracey Ullman sketch show' (BBC, season1) as her movement & body double. She has also worked on various corporate & training videos notably with MTJ Media, Maverick, Liquid Productions, Sharp Focus and Kisu Productions. Short films include ‘Beth’ in ‘Welcome’ directed by Ben Marshall for Barbican Arts Centre and ‘The Other Woman’ in ‘The Right to Remain Silent’ directed by David Hennessy. Sheri can also be seen in commercials for ‘Bla Bla Car’ (Europe) and ‘Finnish’ (Online media) and has also enjoyed various still photography projects as a model.
Sheri is Co-Artistic Director of Elite Squad London, a London based creative agency.
Sheri is a member of Spotlight
ASSOCIATE ARTIST - Alice Knapton
Alice graduated from East 15 Drama School in 2009, and has been working steadily in film and theatre ever since.
Theatre Credits include Lady Windermere's Fan (Duchess of Berwick & Mrs. Erlynne), Blood Wedding (Bride), Last of The Red Hot Lovers (Jeanette), Proof (Catherine), Great Expectations (Estella and various), Recipe For a Perfect Wife (Olive), Conversion (Melanie), Rosencrantz and Guildenstern Are Dead (Ophelia, Tragedian), 300 Friends (Rosie)
Film Credits include 360 (Kate), Victim (Jill), The Bench (Lucy), To See Her (Woman Lead), The Wedding (Bride) and The Hounds (Lisa).
For Theatrical Niche, Alice has Directed and Adapted Still the Beating of my Heart, Assistant Directed Mac-Beth, played Ella in debut play Decency/Discretion, and took the lead as 'Bride' in BLOOD WEDDING and 'Catherine' in PROOF, receiving rave reviews for both. She is Casting Assistant for the company, and also heads up the Marketing Team.
Alice is a member of Equity and Spotlight.
MOVEMENT DIRECTOR - Amy Lawrence
Movement Credits: Amy has directed a variety of Movement for Theatrical Niche including Uncle Vanya, and A Doll's House. She choreographed some extraordinary pieces within both Still the Beating of my Heart and Blood Wedding, and the company were thrilled to have her on board once more as Choreographer for the Lysistrata tour.
For Tree Folk Theatre Company - The Tempest (Cockpit Theatre), Nights of Enchantment (Etcetera Theatre), The Tsarevich and the Wolf (Etcetera Theatre)
For Pell Mell Theatre Company - The Second Shepherds Play (New Diorama,), A Midsummer Night’s Dream (New Diorama)
Amy trained at CPA Studios graduating in 2010.
ADMIN & EVENTS - Rachel Hudson
Rachel trained at Queen Margaret University, where she was chosen for the Sam Wanamaker Festival. She initially joined Theatrical Niche playing Bobbi Michelle in Last of the Red Hot Lovers.
Other theatre credits include Romeo and Juliet (Juliet), Bugsy Malone (Bangles), Much Ado About Nothing (Hero), Virtual Heroes (Rita) and Rosencrantz and Guildenstern Are Dead (Alfred).
Rachel is also an Actor-Musician and credits include The Caucasian Chalk
Circle (Various) and The Tempest (Ariel). She is a member of Equity and
Pamela directed our Autumn 2017 Tour of Lady Windermere's Fan. She trained as a director at Mountview Academy of Theatre Arts, London, and obtained an MA in Theatre at University of Vienna/Austria. Directing credits include: Mozart & Salieri (Opera, Arcola Theatre & UK Tour, 2016 – 2017), A Florentine Tragedy (Opera, Bridewell Theatre, 2017), Zanetto (Opera, Bridewell Theatre, 2017), Threads (Hope Theatre, 2017), Othello (Rose Playhouse, Bankside, Waterloo East Theatre, National tour 2015-2016 and New York City), Rendezvous at Midnight (Rose Playhouse, 2015), Iphigenia in Tauris (Rose Playhouse, Bankside 2015), Shoot, I didn’t mean that / The Last Days of Mankind (Tristan Bates Theatre), Orpheus and Eurydice (Rose Playhouse, Bankside), The Taming of the Shrew (Rose Playhouse, Bankside), Ernest (Etcetera Theatre), Abe & Hans (Theatre503), La Traviata(Opera by Verdi, Kirchstetten/Austria, 2009), The Bacchae (TUFA Trier/Germany).
Short plays and New Writing Events include work at Theatre503, the Arcola, Southwark Playhouse and Arts Theatre West End. Her work has been supported by the Austrian Cultural Forum London, the Austrian Cultural Ministry and Arts Council England.
Bryan trained at LAMDA and Trinity College Dublin.
Tim trained at the National Youth Theatre and then Birmingham School of Acting, graduating in 2016. While still in training, he was invited to perform at the Odry Szinpad in Budapest when one of his third year shows, The Street of Crocodiles, was taken there with Kolectiv Theatre.
He appeared in last year’s season at the Cambridge Shakespeare Festival and has since been touring and performing in the UK on a wide variety of different projects. He is an accomplished musician, having played in a number of different shows and successfully written scores for productions as well. Earlier this year, he returned to London from his first European tour with the award winning TNT Theatre company.
Tim played Parker, Lord Windermere and Lady Plymdale in Lady Windermere's Fan
Theatre Credits Include: Coriolanus (Aufidius), The Comedy of Errors (Antipholus of Syracuse), Midsummer Night’s Dream (Demetrius), Dracula (Jonathan Harker), The Merchant of Venice (Launcelot Gobbo),
Film/TV Credits Include: Doctors (Dominic Jenkins)- TV, Kidnapped (Jacob)- Short Film, The Hinsman Hunt (Tom)- Feature Film, Thou Shalt Not Kill (Carter)- Short Film
ARTIST & PUPPET CREATOR - Maia Kirkman-Richards
Since graduating from the Academy of Live and Recorded Arts in 2013, Maia's theatre credits have included: Prospero (The Tempest - The Cockpit), Belle/Fan (A Christmas Carol - tour), Sir Gromer/Queen Guinevere (Power of the Inglewood - Blue Elephant Theatre), Becky (Between the Cracks), Cleo (Transition - Theatre 503), Nurse (Shackled).
Theatre credits whilst in training include: Melissa Milcote (Coram Boy), Dinah Rankling (The School Mistress), Rosalind (As You Like It).
Short film credits include: Celia (Scotland is our Mexico), Clare (Key to Bachillero), Sally (12 Months Later), Gemma (Clouds), Jenny Holden (Winter's Secret).
For Theatrical NIche Maia played Lampito / Female Chorus Leader (Puppet) / Peace in Lysistrata, and Elmire / Mariane / Monsieur Loyal in Tartuffe.
Maia is also a saxophonist and puppeteer and can be found on Spotlight.
She designs and creates bespoke puppets - to find our more, please visit her website: http://www.houseofstraycats.com/
Theatre Credits include: Julius Caesar (Mark Anthony), Titus Andronicus (Aaron the Moor), Midsummer Night's Dream (Puck), Twelfth Night (Malvolio), Romeo & Juliet (Tybalt), Much Ado About Nothing (Borachio), Merchant of Venice (Lorenzo, Antonio), A Christmas Carol (Scrooge), Mr Mineshaft (Julius Eastman - Lead), Bonk (Sam, Arthur), Trashed (Tobias - Lead), Family Secrets (Carlos/Peter),
Film Credits include: Three. One. Six. (Ade - Lead), Bad Mandem (Tucks), Door to door preaching with Brother Jacob and Brother Phillip (Brother Phillip - Lead)
Metamorphosis (Mr Samsa) marks his first venture with Theatrical Niche and he's hoping that if he does the business: it won't be his last!
Adam is a proud member of Equity and Spotlight.
ARTIST - Noah Young
Noah Young studied BA Performing Arts Drama at Middlesex University. Theatre credits include: What Lovely Weather (Barbican) with The Theatre Of The Absurd, Puppeteer/Clown in In The Night Garden Live (O2 Arena and Tour) for Minor Entertainment, Mary Rose (Riverside Studios) with DogOrange, Monsters In The Forest (Tricycle Theatre), Antigone (Riverside Studios) for Theatre Lab, Much Ado About Nothing (The Scoop), Falstaff in The Merry Wives Of Windsor (The New Red Lion Theatre), Oberon/Theseus in A Midsummer Night's Dream (Victoria Embankment Gardens) - all for Grassroots Shakespeare, Kiss The Shadow (Soho Theatre). He is artistic director of NMT Automatics where he has written, directed and performed in productions including The Orpheus Project (Edinburgh C Too, and London So & So On Festival) and Wish You Were Here (Transitstation, Berlin and London) and is currently working on a theatre-dance adaptation of Dido & Aeneas: Remixed to tour in the Autumn 2016.
ARTIST - Lucinda Lloyd
Lucinda trained in Acting at the Academy of Live & Recorded Arts. She won the 'Best Supporting Actress' award in the 168 LA Film Festival for her role in the film Home, dir: Debs Paterson. Other film credits include Nothing Will Be As It Was, dir: D R Hood; Borrowed Memories, dir: Lesley Manning. Theatre credits include Shall We Shog? (the Globe) dir: Ken Campbell; Decor Without Production 1 & 2 (The Royal Court) dir: Ken Campbell; Cathy, Wuthering Heights, (The Rosemary Branch and UK tour) dir: Helen Tennison; Hecube in Hecuba, (The White Bear) dir: Justin Murray; Lady Macbeth, Macbeth, (Dirty Market Tehatre) dir: Georgina Sowerby; Portia, Merchant of Venice, (The Courtyard) dir: Petina Hapgood. Her own company, a little bird whispered has performed work at The Arcola, BAC, The Courtyard, The Rosemary Branch, Red Gate Gallery & Jaw Dance. Lucinda has also trained with Anne Bogart & SITI Company. She is currently working on her first onw woman show entitled 'Smile For Me One Last Time' http://www.lucinda-lloyd.com
ARTIST - Adam Boyle
Adam has been working steadily as an Actor in film and theatre as an actor since 2009. He is an artistic associate and collaborator of the Quite Nice Theatre Company and also acts as a writer/producer for his own film production unit A.swan Productions.
Theatre credits include; A Midsummer Nights Dream(Lysander/Quince), Macbeth(Duncan/Macduff/Murderer/Witch2), The Merchant Of Venice(Launcelot), The Seafarer(Mr Lockheart), Mosquito Note(Ryan), The Man At The Door(Rich, Lead).
Film credits include; Chamber(War), The Possessors(Ben, Lead), Where's Wallet(Guy, Lead), This is Ned(Alfie, Supporting Lead), Derek Douglas And The Deadly Deception(Derek Douglas), Purse(Guy Cassidy, Lead), In & Out Of Focus(Mark, Lead).
Adam can also be found on Spotlight.
For Theatrical Niche's England Tour of BLOOD WEDDING, Adam played Leonardo, Father and Woodcutter puppet 1. He now plays both Orgon and Valere in TARTUFFE.
ARTIST - Luke Adamson
Luke's acting credits include Macbeth (Omnibus Clapham) Brassed Off 2014 Tour (York Theatre Royal, Touring Consortium, Bolton Octagon) First World War promenade epic Blood and Chocolate (Pilot Theatre,Slung Low, York Theatre Royal) Twelfth Night (Permanently Bard) Rabbitskin by Dominic Grace (West Yorkshire Playhouse and Tour); So You Want To Be A Writer? and My Generation readings (West Yorkshire Playhouse) The Seagull and Brian Looks Like Alan Rickman (Black Coffee Theatre); All My Sons, Brassed Off and Enjoy (York Theatre Royal) The Cherry Orchard, Macbeth, A Midsummer Night’s Dream, Road, and the UK Premiere of Sandholm by Anna Bro (ALRA). TV credits include Heartbeat, The Royal Today (ITV) The Garden (BBC/Tiger Aspect) and a Pizza Hut commercial.
Luke's directing credits include Found, Let’s Have Sex!, and Parallel Lives, Parallel Deaths (Black Coffee Theatre) Foursome (Purple Panda Theatre) Dorothy and the Scarecrow (OneDay Theatre and Lonesome Schoolboy Productions) Under a Starry Sky (How It Ended Productions) Twelfth Night (Assistant Director) (Permanently Bard) Six Degrees (Assistant Director) (Writers Avenue) Jack Jerome’s Journey of Life (EdFringe) Luke has also written three plays: Found, The Last Few Hours and One Last Waltz and he adapted The Seagull for Black Coffee Theatre. Follow Luke on twitter @actlukeadamson
ARTIST - Micha Colombo
Micha trained at ALRA (2010- 2011). Theatre credits include: 'Quarrel' ('Play in a Bag' Productions) 'Whale Tale', (devised with Alice Sillett) and one-woman show 'SuperSonic Shelly' (SLC Limelight Productions).
Recent short film credits include 'Fiamma Alma Poetry Films', 'A Lamb to the Slaughter' and 'A Tough Day at Work'. Micha is a voice artist and has recorded for corporate films, mobile games and live poetry performance.
Micha is also a writer and director. Recent credits include the sell-out 'Woman in the Dunes' and '0% Interest', both at Theatre 503. She established Kagami Theatre in 2013 as a vehicle to bring East Asian stories to UK audiences. She has a degree in Japanese from Cambridge University, and has lived and worked in Japan, China and Brazil.
Micha can also be found on Spotlight. For Theatrical Niche's England Tour of BLOOD WEDDING, Micha played Mother, Wife and Death puppet.
ARTIST - Sam Heydon
Sam came to acting about 6 years ago after working in a great variety of more, “conventional,” occupations.
Starting with voice-overs for Norwich University of the Arts’ Animation Course then refining his skills through working as an improvising medical role player for doctors, medical staff and students (over 350 to date) he eventually found his way onto stage in 2008 at the Maddermarket in Norwich. He has had an interesting range of work since then in films (Henry Appleby – Glorious 39, Raymond Wilkes - Tick Tock, Eccentric Man - Thrown) voice–over (London Railways of the 1960s, Palm Paper corporate DVD, various computer games) online (The Dean -Tempting Fates) and the theatre.
Sam’s recent theatrical credits include Proof (Robert), Hayfever (Richard Greatham), Twelfth Night (Malvolio) Northanger Abbey (General Tilney) One Flew Over the Cuckoo’s Nest (Frank Scanlon) and Abigail’s Party (Laurence.) In March of last year he produced his own, one man multimedia performance of The Time Machine at the Maddermarket and also toured with a comedy triple bill.
Sam took the part of troubled Maths genius 'Robert' to much acclaim in our England Tour of PROOF.